JUMPCUT FILM HOW TO
JUMPCUT FILM MOVIE

It requires however a good dosage… And also an intention behind, a real purpose. The jumpcut is an extremely powerful technique in terms of evocation potential.

It allows to enrich the narration, to play on the emotions and the suggestion… Suggestion of what one does not show, of what one preferred to cut. Virtues of the jumpcutīut why using this rebel technique? The jumpcut energizes, gives rhythm and a feeling of time jump. We will remember the anthological sequences filmed in the back of a car, where the jumpcuts following one another in the most natural way, the gruff voice of Belmondo and the sweet one of Seberg in the background. He thus breathed new boost, spark into the cinema, creating a new wave, by popularizing this process in the dark rooms. In his first film, Godard had fun doing what was not used to be done, “almost pathologically or systematically” as he said.

JUMPCUT FILM MOVIE

The jumpcut is for the little story a French “invention”: Georges Méliès, French illusionist and cinematograph, used it at the beginning of the 20th century for his shows and Jean-Luc Godard, the famous French-Swiss director, invited him in the modern cinema in the 60s with his iconic movie “Breathless”. The traditional editing rule is the alternation of frames, with a differential of at least 30 degree ( 30-degree rule) between each shot: the jumpcut thus breaks the codes of the classic cinematographic narrative and was first considered as a “language mistake”. The jumpcut consists of cutting inside a same plane, generating successive shots with an identical or almost identical frame. To inaugurate this new series of articles, I will discuss a cutting technique particularly popular on YouTube: the jumpcut. That is the opportunity for me to share with you some tips to help you making mobile video - but better.

JUMPCUT FILM HOW TO

We have all the technical tools in the hands, but we still need to know how to use them properly. Everywhere and all the time and especially on/with the smartphone. The video is everywhere, for proof, three figures that give the twist: 22 billion videos are seen every day on social networks (Snapchat (10 billion), YouTube (4 billion), Facebook (8 billion)), online videos make up more than 75% of all consumer internet traffic… And 75% of all video plays are on mobile devices. Today, the motion world has largely democratized thanks to the appearance of smartphones. Belmondo and Seberg in “Breathless” (1960), iconic french movie which popularized the jumpcut.

Jumpcut film